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Jahangir Mahal
The intricately carved Jahangir Mahal has an aura of grandeur and opulence. Built on the lines of Emperor Akbhar's Hamam Saras in Agra, it is nevertheless representative of the Bundela school of architecture. The palace is five-storeyed and houses as many as eight pavilions. The third floor has a court where the rulers of Orchha met with their subjects.
The court is raised over superimposed arcades with a wide gallery overlooking it. A long line of elephant brackets flanks the entrance to the monument, and a reddish-brown cornice runs along the periphery of the court.

Raj Mahal
The Raja Mahal is a fine example of Mughal architecture with typical stone jali (lattice) work and multifaced arches at the entrance. The palace is in the shape of a perfect square that is further divided into two courtyards. The main courtyard is flanked by the palace which has a four-storeyed building at one end of it.
The other three sides have five-storeyed apartments. The Raja Mahal’s facade is simplicity personified with hardly any ornamental detailing, but the interiors house some splendid paintings. The outer courtyard has some beautiful arches arranged in floral patterns and carved out in lime mortar.

Rai Parveen Mahal
Poetess and musician, Rai Parveen was the beautiful paramour of Raja Indramani (1672-76) and was sent to Delhi on the orders of the Emperor Akbar, who was captivated by her. She so impressed the Great Mughal with the purity of her love for Indramani that he sent her back to Orchha. The palace built for her is a low, two-storeyed brick structure designed to match the height of the trees in the surrounding, beautifully landscaped gardens of Anand Mahal, with its octagonal flower beds and elaborate water supply system. Skillfully carved niches allow light into the Mahal which has a main hall and smaller chambers.

Chaturbhuj Temple
Built upon a massive stone platform and reached by a steep flight of steps, the temple was specially constructed to enshrine the image of Rama that remained in the Ram Raja Temple. Lotus emblems and other symbols of religious significance provide the delicate exterior ornamentation. Within, the sanctum is chastely plain with high, vaulted walls emphasizing its deep sanctity.

Laxminarayan Temple
A flagstone path links this temple with the Ram Raja Temple. The style is an interesting synthesis of fort and temple moulds. The interiors contain the most exquisite of Orchha's wall paintings. Covering the walls and ceiling of three halls, these murals are vibrant compositions and cover a variety of spiritual and secular subjects. They are in excellent state of preservation, with the colours retaining their vivid quality.

Phool Bagh
Laid out as a formal garden, this complex testifies to the refined aesthetic qualities of the Bundelas. A central row of fountains culminates in an eight pillared palace-pavilion. A subterranean structure below was the cool summer retreat of the Orchha kings. An ingenious system of water ventilation connects the underground palace with Chandan Katora, a bowl-like structure from whose fountains droplets of water filtered through to the roof, simulating rainfall.